Brutalist

Lloyd’s building in London, is the second major building by Richard Rogers following the construction of the Centre Pompidou in Paris.

One of the 1980s most recognisable pieces of architecture, the Lloyd’s building demonstrates many of the key traits of the high-tech architecture style that emerged in the UK in the late 1960s. The building, which was built as the headquarters of Lloyd’s of London – one of the world’s largest insurance firms – is distinguished by its radical inside-out aesthetic that sees all its building services banished to its exterior in order to create uninterrupted spaces inside.

Signed Giclée – printed using the highest quality acid-free light-fast archival 300gsm Minuet Cotton Rag. This heavyweight etching board is velvety smooth with a fine surface texture and it is one of the most popular media worldwide for artwork and photography. Using pigment-based UltraChrome and Ultra Violet (UV) inks, the Giclée printing process ensures our prints have superior detail, colours and longevity.

Prints are made to order so please allow 5-6 working days for delivery. Framed not included.

A4 – 297x210mm             A2 – 420x594mm

A3 – 297x420mm             A1 – 840x594mm

Brand new prints featuring detailed close up views of our most popular designs.

Designed by Denys Lasdun, The style of the National Theatre building was described “an aesthetic of broken forms” at the time of opening. Architectural opinion was split at the time of construction. However, despite the controversy, the theatre has been a Grade II* listed building since 1994. Although the theatre is often cited as an archetype of Brutalist architecture in England, since Lasdun’s death the building has been re-evaluated as having closer links to the work of Le Corbusier, rather than contemporary monumental 1960s buildings such as those of Paul Rudolph.  The carefully refined balance between horizontal and vertical elements in Lasdun’s building has been contrasted favourably with the lumpiness of neighbouring buildings such as the Hayward Gallery and Queen Elizabeth Hall.
Signed Giclée – printed using the highest quality acid-free light-fast archival 300gsm Minuet Cotton Rag. This heavyweight etching board is velvety smooth with a fine surface texture and it is one of the most popular media worldwide for artwork and photography. Using pigment-based UltraChrome and Ultra Violet (UV) inks, the Giclée printing process ensures our prints have superior detail, colours and longevity.

Prints are made to order so please allow 5-6 working days for delivery.

A4 – 297x210mm              A2 – 420x594mm

A3 – 297x420mm             A1 – 840x594mm

Brand new prints featuring detailed close up views of our most popular designs.

2 Willow Road is part of a terrace of three houses in Hampstead, London designed by architect Ernő Goldfinger and completed in 1939. Goldfinger himself lived there with his wife Ursula and their children until his death in 1987 in flat 2. It has been managed by the National Trust since 1995 and flat 2 is open to the public between March and September.

Goldfinger designed much of the furniture in No. 2, and the house also contains a significant collection of 20th-century art by Bridget Riley, Marcel Duchamp, Henry Moore and Max Ernst.

Signed Giclée – printed using the highest quality acid-free light-fast archival 300gsm Minuet Cotton Rag. This heavyweight etching board is velvety smooth with a fine surface texture and it is one of the most popular media worldwide for artwork and photography. Using pigment-based UltraChrome and Ultra Violet (UV) inks, the Giclée printing process ensures our prints have superior detail, colours and longevity.

Prints are made to order so please allow 5-6 working days for delivery.

A4 – 297x210mm              A2 – 420x594mm

A3 – 297x420mm             A1 – 840x594mm